The title track for the album “Ice On My Teeth” is another unique track from ATEEZ, worlds away from the music the group used to make when they first debuted. When the song was released, while nobody could question the quality of the music, the lyrics didn’t hit in the same way as past releases. The words are nonsensical and don’t make much sense, even when linked with the music video.
Some decisions, including rhyming tennis with tennis and the use of English lines, seem lazy for ATEEZ. Yet, it is saved by the catchy melody and strong performance aspect, which always make ATEEZ stand out. While the title track has split fans, the B-sides have something for everyone. The songs have an essence of early ATEEZ but with a new sound that has been prominent in the past three albums.
The album starts with “DEEP DIVE,” which has a futuristic feel thanks to effects and synth instruments. It blends the gritty textures from Hongjoong and Mingi’s rap with a soft melody. The change in tempo between voices also creates texture within the song, ensuring that the melody doesn’t become boring. Followed by the instrumental “Scene 1: Value,” the album already changes the standard layout for an ATEEZ release.
“Man on Fire” follows a genre and style similar to “Work” with influences from Afrobeats, and it will be interesting to see it performed live. ATEEZ is known for powerful stages, but this song could have a softer and more artistic presentation, similar to some of their older B-sides. A fan favourite is “Selfish Waltz,” and this has a techno vibe which is a very different route for ATEEZ, drawing on synth (like “DEEP DIVE”) and a heavy drum beat throughout. While it could seem harsh, the members’ wide vocal ranges create a sense of light and dark, making it a surprisingly easy listen.
The album ends with “Enough.” The final track has a very nostalgic aura, allowing the members’ vocals to shine. From the moment Seonghwa starts singing, he creates a story with his voice’s velvet tone, and it continues by shifting to the other members. It has vibes similar to 5 Seconds of Summer releases, with a heavy instrumental melody, and feels less “harsher” than the other songs. Even the lack of “rap” parts sets it apart from the other songs, with Mingi and Hongjoong showcasing their vocals and creating a softer, more “easy to listen to” track.
For anyone who has been a long-time fan of ATEEZ, this album definitely cements a change in music style and approach to the genre of the tracks. The album might not be for everyone, especially the title track, but it continues to show ATEEZ’s evolution as artists.
GOLDEN HOUR : Part 2 is out now. ATEEZ can be found on Instagram, Twitter and all major music platforms.